Announcing a new SCI study on alternative academic career paths

[cross-posted at scholarslab.org]

I’m pleased to announce that the Scholarly Communication Institute is conducting a study on career preparation in humanities graduate programs. As part of this study, we have launched two confidential surveys: the first is for people on alternative academic career paths (that is, people with graduate training in the humanities and allied fields working beyond the professoriate); the second survey is for their employers.  The surveys will be open until October 1, 2012.

Humanities scholars come from a wide array of backgrounds and embark on a variety of careers in areas like libraries, museums, archives, higher education and humanities administration, publishing, research and technology, and more. SCI anticipates that data collected during the study will contribute to a deeper understanding of the diversity of career paths we pursue after our graduate studies, while also highlighting opportunities to better prepare students for a range of careers beyond the tenure track.

The surveys complement the public database that we recently created as a way to clarify the breadth of the field, and to foster community among a diverse group. If your work represents the diversity of the broad #alt-ac community, it’s not too late to tell us about yourself!

The surveys and directory are being administered as part of the Scholarly Communication Institute’s current phase of work — which includes a close concentration on graduate education reform (largely in the North American context) and the preparation of future knowledge workers, educators, and cultural heritage and scholarly communications professionals.

The survey results will help us to make curriculum recommendations so that graduate programs may better serve future students, and anonymized or summarized data will be made available at #alt-academy at a later date. Please contact me if you’d like to know more.

A few thoughts on #alt-ac

I’ve been tuning in to conversations about “#alt-ac” — both the concept and the phrase itself — as much as I can lately as I prepare to launch SCI‘s survey of #alt-academics (more on that very soon). What I’ve noticed is that while the concept is something that people are eager to talk about, and while the term itself has both expanded in meaning and proven useful beyond what Bethany Nowviskie initially imagined, there’s also a certain degree of discomfort with the phrase. Some find that it perpetuates an unfortunate (and false) binary of career options — which, of course, is exactly what it was meant to alleviate. Others simply don’t find that the term resonates for them, considering it too narrow, or redundant with existing categories (primarily public humanities). Still others have expressed concern that #alt-ac is being held up as an unrealistic panacea for the perpetually abysmal job market, yet without necessarily creating new jobs.

These critiques are all valid. Personally, I have found that despite its limitations, #alt-ac is useful as a starting point for conversations about a wide range of issues related to graduate education. I don’t expect the term to be around forever, and I think it’s impossible to try and define the borders of the constellations of #alt-ac communities with much clarity. But I also think that this slight unease and ambiguity is a part of what can help us (as the academic, #alt-academic, or other allied communities) clarify our own thinking on what our academic training means and why it’s valuable.

For me, the most useful move that the term allows is the reframing of what is meant by the term “academic.” Anyone who has completed a PhD or other advanced degree is an academic by training, and brings an academic approach to whatever work she takes on. However, in terms of career possibilities, “academic” tends to signify one thing only: the professoriate. But as is abundantly clear, scholars are working all over the place — in cultural heritage institutions like libraries, museums, and archives; in governmental positions; as journalists and consultants. The positions themselves don’t necessarily make an individual an academic, but neither does an individual cease to be an academic in any of these roles. The academic is the person, by way of the training he or she has received, as well as the style of work — but the term’s narrower signification of someone employed within the professoriate often remains the more immediate reference.

#Alt-academic, then, is not so much a specific job, career, or field, but rather an approach: a way of seeing one’s work through the lens of academic training, and of incorporating scholarly methods into the way that work is done. It means engaging in work with the same intellectual curiosity that fueled the desire to go to graduate school in the first place, and applying the same kinds of skills — be they close reading, historical inquiry, written argumentation, or whatever else — to the tasks at hand. It doesn’t mean an all-new type of work that will heal the problems of the job market. (Issues surrounding the academic labor market are pervasive and serious; they merit a thorough discussion that is beyond the scope of this post.)

The responses that people have provided in the #alt-ac database are telling, as they often underscore the ways in which individuals apply their academic training to unusual roles. I expect that we’ll gain much deeper insight through the upcoming survey, and I look forward to the conversations that the resulting data will provoke. Stay tuned!

Playing with visual text analysis using Voyant

As I’ve started to dip my toes into the DH current, one thing I’ve been excited to play with is visual presentations of text analysis. Until I hadn’t had a strong need for it, but with the approaching SCI survey of alt-academics and the analysis it will entail, I finally have a good reason to start exploring what’s out there.

The first tool I’ve checked out is Voyant (developed by Stéfan Sinclair and Geoffrey Rockwell as part of their hermeneuti.ca project), which allows you to upload a document, point to a URL, or copy text; it can analyze a single document or a corpus. I uploaded my dissertation as a sample and, after stripping out articles and such (which the tool makes very easy), I got a nifty word cloud:

Below it, Voyant displays a list of words by frequency. Checking boxes next to one or more words gives a distribution of word appearance in the document or corpus. Here are three commonly appearing words charted through the diss:

I found it interesting to see that while I clearly used the word “trauma” a ton, the places where it appeared the most were in the intro and conclusion–suggesting that I relied on the term when I was pulling my argument together, but much less in the actual analysis. A section below the chart shows the context of the selected words in a table that can be sorted in a variety of ways. All the data in each section can be exported in a number of formats, too, for use in other sites or documents. (More than ever, I’m feeling pinched by having my blog hosted by wordpress.com, which doesn’t support things like iFrames; I hope to get a more flexible set-up going before too long.)

There’s a lot more that Voyant can do, and I’m looking forward to playing with it (and other tools) a lot more as I get a clearer sense of what kind of analysis I want to do. More soon!

Learning by destruction

In preparation for my first THATCamp, I’ve been breaking things. I’m new to the DH world, and only recently have I been dipping my toe into the “hack” side of the hack/yack divide. Enchanted by why’s (poignant) guide, I explored a bit of Ruby; then, like many others, I tried (and, by the end of February, failed) Codecademy. Most recently, I’ve been learning a little bit about HTML and CSS (I’m mainly using this book by @jcmeloni).

While the first two attempts to gain concrete technical skills didn’t take me very far, this latest effort is yielding some real results. The difference, I think, has to do with motivation and goals. My first attempts at Ruby and Javascript stemmed from a sense that learning a programming language was something I should do. Though the DH community has taken care to emphasize that coding isn’t everything, my thinking about it hasn’t changed–it’s an increasingly important literacy, and a basic level of knowledge is already important and will become more so, if for no other reason than to understand which problems are hard and which are easy. (My spouse, a programmer, is continually dismayed when he describes some cool new innovation, and I fail to be impressed, not realizing that it solves a very tricky problem.)

I didn’t abandon the lessons because I found them unimportant. I just couldn’t dig into them. This confused me; after all, if I’m good at anything, it’s learning things! Plus, why’s (poignant) guide and Codecademy take such different tacks that if one didn’t work for me pedagogically, it seemed the other should have. But still, I walked away from both of them.

What I’ve come to realize is that without an actual problem that could help me contextualize and apply the new skills, I was having a hard time making the connections I would need to really learn and understand what I was doing. Weeks in, I still didn’t really know what Ruby or Javascript looked like in the wild, and so while I was enjoying making little snippets of code that did things (enjoying it a lot, actually), my interest in both tapered as other priorities came up.

I cracked open the (e-)book on HTML and CSS for completely different reasons. I had been working on the census of #alt-academics that I’ve written about before, as well as the not-yet-public survey that will be its more rigorous counterpart, and I was hitting some roadblocks. Most of these were stylistic: I wanted the logo to appear here, not there, and I wanted it to link back to the site (well, Wufoo wouldn’t let me get past that hurdle, but it wasn’t for lack of trying–and I succeeded on the survey); I wanted a wider margin around the text. In short, I wanted to have more control than the visual editing interface allowed. I picked up the lessons in HTML and CSS because I had a problem I was trying to solve, and that has made all the difference in the way the instruction clicks for me.

My pre-THATCamp efforts have been similar. I’m at a point where I want to start having more control over my site (I am an Order Muppet, after all), so I want to learn more about what I could do with WordPress beyond its ready-made themes; I also want to start doing more with visual and other multimedia materials in my research, so I want to learn more about Omeka. For both of these things, I need to know about web servers and FTP clients, both of which I’m sure are second nature to a ton of THATCamp participants, but they’re new for me. So I have been tinkering, with the guidance of ProfHacker and my stellar colleagues in the Scholars’ Lab.

And along the way, I’ve been breaking things. I had a single triumphant moment in which everything seemed to be working as it should–and then, I went one step further, and managed to completely lock myself out of MySQL, rendering the whole setup unusable.

Here’s where things got tricky, and a little interesting. I had to find a way to dig myself out, and I had no idea how to do that. Most of the troubleshooting instructions I found on involved the command line–which I do not know how to use, much to my chagrin. (Again, following Prof Hacker’s lead, I’ve learned how to do the simplest of tasks–but really, knowing how to create a text file wasn’t going to get me out of the trouble I was having!). I went down a time-consuming and frustrating rabbit hole. As I tried to figure out what to do, I realized a lot of things–among them, I didn’t totally know what MySQL was, why I needed it, or what had gone wrong.

That sounds bad, but it has actually been energizing. The risks for me are still low at this point, but the potential reward is high. I’m finally starting to get a sense of what I don’t know–whereas before, all I saw was an abyss of confusion. My questions at this point are still incredibly basic (and, to be honest, I’m not always comfortable asking them), but I feel like certain elements are slowly coming into focus.

Breaking things has given me problems to solve, which is where the opportunity and desire to learn seem greatest. This is not new news to most of the DH community–@samplereality has argued compellingly that DH is about destroying things, and @jessifer tweeted about giving his students a problem without giving them the tools to solve it. As a pedagogical strategy, it makes sense: that’s how we learn when we’re doing things on our own–with a sense of urgency and a problem to solve.

As I continue to think about reforming humanities graduate training, my own experience of trying to learn, failing, and then needing to learn and (at least partially) succeeding, will remain at the front of my mind. I still haven’t really figured out what all went wrong, but I managed to get things working again (that counts as hacking, right?) and have a much better sense of what questions to ask my fellow THATCampers. Had everything gone smoothly, I would have learned so much less.

On not fully understanding Anne Carson

I received an absolute treasure of a book in the mail this past week: Anne Carson’s new translation of Antigone (called Antigonick). The hardcover book is hand-lettered by Carson, and many of the pages of text are preceded by sheer vellum pages with gorgeous and beguiling illustrations by Bianca Stone. It is a beautiful, beautiful book. (There’s a good preview of it here.)

And I do not fully understand it. I don’t really understand many of the illustrations; I don’t always understand the changes Carson has made to the text. The effect is no less captivating.

This feeling is not isolated to Antigonick; I often feel a sense of disorientation from Carson’s work. Looking through some notes on Autobiography of Red (which I simply loved), I realize the same feeling occurred there: I was utterly puzzled by certain elements and choices. (Especially the final “interview” with Stesichoros–I would love to know how people read that.)

But I relish this feeling of confusion. Carson’s work is so deliberate and intoxicating, that each choice she makes feels like a stone to be worked over in the palm of the hand–slowly, slowly. Not many writers make me feel this way. More often, readerly confusion is indicative of sloppiness on the writer’s part, or else of ego and purposeful obfuscation. The confusion I feel reading Carson draws me in, rather than pushing me away.

So, Antigonick. Why that red spool of thread unwinding over a page that lists “Kreon’s nouns” (“Adjudicate Legislate Scandalize Capitalize”)? Why the domestic images of stove, kettle, rug when Kreon sentences Antigone to death? Why Kreon’s arrival by powerboat? Why, for that matter, Nick? I’ll confess, I don’t know. But I will keep turning those questions over and over in my mind, as I do with so many of her works.

Luckily, I now have a great excuse to spend a lot more time thinking about Carson’s writing, since my paper proposal for MLA13 was accepted. I’m looking forward to giving her work the serious attention it deserves.

Calling all #alt-academics!

[cross-posted at the Scholars’ Lab blog]

I’m happy to announce that a census of alternate academics, the first public-facing component of my work with the Scholarly Communication Institute, is now open to contributions. If you have graduate training in the humanities and work outside of the tenure track, I’d like to warmly invite you to add your information to the growing database. Not #alt-ac? Check out the report to learn more about who we are and what we do.

As I discussed in an earlier post, the census has a dual purpose: First, it will serve the many individuals who are employed in (or considering) alternate academic roles by showing the breadth and depth of career trajectories that can follow graduate work in the humanities. The resulting database may help people to discover others with shared interests, find potential project collaborators, or open up new lines of inquiry. Second, it serves as an important first step towards the survey that SCI will conduct, which aims at better understanding career preparation and #alt-ac employment in relation to humanities graduate programs.

I’d like the database to be as broad and truly representative as possible, which means I’ll need help in extending its reach. Please forward the link widely and encourage the #alt-academics you know to contribute–the database becomes more useful as more people join in.

This census is part of a suite of new content and features at #Alt-Academy; the announcement is restated below. Please read, contribute, and circulate!

We are very happy to announce a new phase of publication at #Alt-Academy, an open-access online project at MediaCommons. #Alt-Academy was launched last summer with 24 essays by 33 authors, highlighting the role of “alternative” academic professionals in the humanities and related fields. The four projects joining #Alt-Academy today promise to open the publication to an even richer and more diverse set of voices.

Please consider contributing to:
#Alt-Academy also welcomes proposals for further new clusters and features.  For more information, see “How It Works” on our MediaCommons site.

Coming soon: A directory of #alt-academics

Like everyone, I began January with the best of intentions. My resolution — to write (something, anything!) or take a photo each day — seemed alluringly modest. January was good. February was, too. I saw no reason why I shouldn’t be able to keep going, month after month.

But then, March happened. March, when I changed jobs, and A. and I bought our first home, bringing huge amounts of change to our lives. And suddenly, my goal slipped quietly to the comfy back burner where most resolutions live out their days. The bottom line is that I haven’t been writing much these last few weeks, in part because there’s been so much to do, and in part because I’ve been spending a good deal of time absorbing new information and ideas. It has been a receptive time more than a productive one, intellectually speaking.

So, I’ve been reading and thinking and organizing fixing bookshelves, and took a quick trip to the University of Virginia to check out the actual, physical Scholars’ Lab (my reward for enduring a full-day HR marathon). I have new projects percolating and new responsibilities crystallizing. I am notoriously impatient with transitions — I cannot live in an in-between state for long — so changing both work and home at the same time has taken up a lot of mental energy. The trip to UVa was great in many ways; for one thing, it made the transition to SCI seem a bit more complete, which should help me to stop fussing about changes and spend my energy in more productive ways.

With that, I’m diving into the work. One project — which I’m quite excited about — involves taking a census of people who think of themselves as alt-academics in order to create a directory of the many individuals that work outside of the tenure track. It’s important to me that the census include not only the wonderfully vocal and visible advocates of the alt-ac community, but also the quieter voices that are outside of the Twitter conversations and MLA panels. As I have written about in previous posts, I think (and hope!) such a directory will be hugely valuable for people who are considering, or are already on, career paths that are alt-ac in nature.

The value, I think, will come from a few things: first, I hope that as people demonstrate their willingness to self-identify in an open and public way, the uncertainty and/or stigma that others in similar positions may feel will begin to dissipate. Second, it will be great to see the diversity of career paths that the humanities community has undertaken. Third, the actual names and affiliations may help other alt-ac folks to make connections and perhaps seek out useful allies. Finally, the database will help SCI in our goal of administering a survey of alt-academics in order to determine opportunities for improved career preparation and refined methodological training in humanities programs.

In all, I hope that the directory and the survey will both help the humanities community to have better data to work with, so that we can move beyond the anecdotal and dispel myths in favor of more concrete understanding about our shared field and the opportunities it affords. Alt-academics reading this post, that means you’ll be hearing from me in the not-too-distant future. I know many people have thought a lot about these issues, so one thing I’ll be doing is seeking input about who to seek out for the census/directory that I might not otherwise know about, and also what questions I should be sure to ask on the survey. I’ll post more about that as planning for the project progresses, but in the mean time, please do feel free to get in touch if you have ideas to share or questions to raise. (Also, I’ll be posting from time to time on the Scholars’ Lab site, so watch for updates there, too.)

Time for a new chapter!

I am thrilled to announce that for the next eighteen months, I’ll be joining the fantastic crew at the Scholarly Communication Institute! I’m honored to join Bethany Nowviskie and her team on the current phase of SCI’s work: namely, assessing and rethinking methodological training in the humanities; helping to work on the framework of the stellar Praxis Program at the Scholars’ Lab; and contributing to the continued development of new-model scholarly publications. (For a fuller description, including more detail on the organizations we’ll be working with, see this Scholars’ Lab post.)

This new step marks an exciting transition for me. Over the past year, I’ve worked closely with Josh Greenberg to develop the Sloan Foundation’s budding Digital Information Technology program. In doing so, I’ve gotten to meet extraordinary people working on innovative projects related changes in scholarly communication in the digital age. In my new position with SCI, I’ll be focusing on a number of the same questions, but from a perspective grounded in the humanities. I’m also looking forward to working more deeply on #alt-ac issues, which I deeply care about (as these two posts reveal).

It will be an intense 18 months that I’m sure will be over too quickly. I can’t wait to dive in!

Teju Cole’s Open City

One of my favorite Brooklyn events is BAM’s Eat, Drink, and Be Literary series. When I was  brand new to NYC (still recent at three years ago), I convinced my not at all literarily-inclined spouse to check it out with me, and it remains one of the only bookish events he can stomach. Not only that, but the communal tables and delightful atmosphere foster such lovely conversation that we ended up meeting someone who has remained a good friend ever since. This same friend invited us to check out Teju Cole in this season’s line up, and I decided to read Open City before the event so that I could get more out of the evening.

I was initially in two minds about the book, though I’ve come to like it more upon reflection. I love the way the narrator’s city walks set the story’s rhythm. I know those walks: wandering, dreamy, alone, till miles pass and you’re nowhere near where you started, as measured either by your thoughts or the street signs. It feels like a natural rhythm for a story, even if many more threads are opened than ever get closed.

At the same time, the narrator, Julius, is detached and a little cold, often impatiently dismissing those that open up to him. At times his personality was so unlikeable that it became difficult for me to enjoy his first-person account. It’s easy to mis-attribute the narrator’s qualities to Cole himself; I caught myself doing so when I started reading, and at the BAM event, I realized I was far from the only one. When we discussed the book before Cole took the stage, some of my table mates remained convinced that the book was an autobiographical account. (They described Cole as a “Renaissance man” who was not only the writer, art historian, and photographer that he is, but also the trained and practicing psychiatrist that he creates in Julius–an awful lot for one person to do!) While clearly a mistake, such thinking also highlights Cole’s skillful writing–he narrates through Julius’s eyes so seamlessly, convincingly, and beautifully, that readers have a hard time recognizing the work as fiction.

I was particularly touched by a moment when the narrator, traveling in Brussels, finds himself in a club filled mostly with African immigrants, whom he assumes to be Congolese. After talking with the bartender, however, he learns that the majority of the clientele is Rwandan, and the revelation sends him reeling (accablé is the word that first comes to mind). The presence of so much suffering, endured and inflicted, becomes overwhelming for him. “It was as though the place had suddenly become heavy with all the stories these people were carrying. What losses, I wondered, lay behind their laughter and flirting?” –and yet, he notes, “They were exactly like young  people everywhere” (139).

The book ends with Julius attending a performance of Mahler’s  Ninth Symphony, and though I’m unfamiliar with the piece, Cole’s depiction of it is so finely wrought that I found myself holding my breath when he describes the silence at its conclusion:

The music stopped. Perfect silence in the hall. Simon Rattle was stock-still on the podium, his baton still in the air, and the musicians, too, were still, their instruments up. I looked around the hall, at the illuminated faces, all flooded with that silence. The seconds stretched on. No one coughed, and no one moved. We could hear the faint sound of traffic int he far distance outside the hall. But inside it, not a sound; even the hundreds of racing thoughts stopped. Then Rattle brought his hands down, and the auditorium exploded with applause. (254)

Still, at times Julius’s detachedness is hard to get past. One character levels an accusation of sexual assault against him, and we see no emotion whatsoever: he obliquely denies the charge to the reader, but doesn’t respond to the possible victim in any way, instead drifting off to the next city block and the next train of thought. Such absence is troubling, and makes Julius seem at times to be sleepwalking.

Cole turned out to be fantastic at BAM, and much warmer than I expected based on the book and his Twitter feed. I thought the evening would be much more politically charged, and I thought Cole himself would be more combative. Cole made a bit of a splash recently for his Twitter response to all the attention on Kony, which Atlantic Associate Editor Max Fisher included in his piece, “The Soft Bigotry of Kony 2012.” Fisher recognized the validity of Cole’s main point, but critiqued the resentment that seemed to permeate his perspective; an update on the piece suggested that Cole had not responded well to the criticism. Before hearing Cole speak in person, I was a little put off by his Twitter persona; he comes across as overly self-assured and closed to dialogue. I no longer think that’s the case–again, he was open, thoughtful, and warm at the BAM event. I look forward to reading his work in the future.

Teju Cole’s Open City

One of my favorite Brooklyn events is BAM’s Eat, Drink, and Be Literary series. When I was  brand new to NYC (still recent at three years ago), I convinced my not at all literarily-inclined spouse to check it out with me, and it remains one of the only bookish events he can stomach. Not only that, but the communal tables and delightful atmosphere foster such lovely conversation that we ended up meeting someone who has remained a good friend ever since. This same friend invited us to check out Teju Cole in this season’s line up, and I decided to read Open City before the event so that I could get more out of the evening.

I was initially in two minds about the book, though I’ve come to like it more upon reflection. I love the way the narrator’s city walks set the story’s rhythm. I know those walks: wandering, dreamy, alone, till miles pass and you’re nowhere near where you started, as measured either by your thoughts or the street signs. It feels like a natural rhythm for a story, even if many more threads are opened than ever get closed.

At the same time, the narrator, Julius, is detached and a little cold, often impatiently dismissing those that open up to him. At times his personality was so unlikeable that it became difficult for me to enjoy his first-person account. It’s easy to mis-attribute the narrator’s qualities to Cole himself; I caught myself doing so when I started reading, and at the BAM event, I realized I was far from the only one. When we discussed the book before Cole took the stage, some of my table mates remained convinced that the book was an autobiographical account. (They described Cole as a “Renaissance man” who was not only the writer, art historian, and photographer that he is, but also the trained and practicing psychiatrist that he creates in Julius–an awful lot for one person to do!) While clearly a mistake, such thinking also highlights Cole’s skillful writing–he narrates through Julius’s eyes so seamlessly, convincingly, and beautifully, that readers have a hard time recognizing the work as fiction.

I was particularly touched by a moment when the narrator, traveling in Brussels, finds himself in a club filled mostly with African immigrants, whom he assumes to be Congolese. After talking with the bartender, however, he learns that the majority of the clientele is Rwandan, and the revelation sends him reeling (accablé is the word that first comes to mind). The presence of so much suffering, endured and inflicted, becomes overwhelming for him. “It was as though the place had suddenly become heavy with all the stories these people were carrying. What losses, I wondered, lay behind their laughter and flirting?” –and yet, he notes, “They were exactly like young  people everywhere” (139).

The book ends with Julius attending a performance of Mahler’s  Ninth Symphony, and though I’m unfamiliar with the piece, Cole’s depiction of it is so finely wrought that I found myself holding my breath when he describes the silence at its conclusion:

The music stopped. Perfect silence in the hall. Simon Rattle was stock-still on the podium, his baton still in the air, and the musicians, too, were still, their instruments up. I looked around the hall, at the illuminated faces, all flooded with that silence. The seconds stretched on. No one coughed, and no one moved. We could hear the faint sound of traffic int he far distance outside the hall. But inside it, not a sound; even the hundreds of racing thoughts stopped. Then Rattle brought his hands down, and the auditorium exploded with applause. (254)

Still, at times Julius’s detachedness is hard to get past. One character levels an accusation of sexual assault against him, and we see no emotion whatsoever: he obliquely denies the charge to the reader, but doesn’t respond to the possible victim in any way, instead drifting off to the next city block and the next train of thought. Such absence is troubling, and makes Julius seem at times to be sleepwalking.

Cole turned out to be fantastic at BAM, and much warmer than I expected based on the book and his Twitter feed. I thought the evening would be much more politically charged, and I thought Cole himself would be more combative. Cole made a bit of a splash recently for his Twitter response to all the attention on Kony, which Atlantic Associate Editor Max Fisher included in his piece, “The Soft Bigotry of Kony 2012.” Fisher recognized the validity of Cole’s main point, but critiqued the resentment that seemed to permeate his perspective; an update on the piece suggested that Cole had not responded well to the criticism. Before hearing Cole speak in person, I was a little put off by his Twitter persona; he comes across as overly self-assured and closed to dialogue. I no longer think that’s the case–again, he was open, thoughtful, and warm at the BAM event. I look forward to reading his work in the future.